THE THEMES
How do we find meaning in a chaotic life? Daniels explore four core themes in the film: 1) nihilism, 2) absurdism, 3) generational trauma, and 4) generational love.Click on the toggles below to learn more about the themes.
Nihilism
is a philosophy that life is meaningless. In the film, Joy
is tired of Evelyn's inability to pay attention. Joy
reaches her breaking point and becomes Jobu Tupacki. Jobu
searches the multiverse for the "right" Evelyn who shares her unhappiness
with life and is willing to kill anyone who stands in her
way. Joy creates her "Everything Bagel," a tool that sucks
everything into oblivion to make all her pain go away.
Nearly halfway into the film, Joy/Jobu summarizes this theme by saying, “Nothing
matters… If nothing matters, then all the pain and guilt
you feel for making nothing of your life, it goes away.
Sucked into a bagel” [1:01:02].
Absurdism
is the belief that even though our existence is pointless,
people can still find meaning in life. In the film, Waymond
fully embraces absurdism using an unlikely superpower that
holds the family together amidst the chaos:
kindness. Waymond’s googly eyes are a visual contrast to what the
Everything Bagel represents, having a black center
surrounded by white.
In the beginning, Evelyn rips off his googly eyes and
says, “Sometimes I wonder how he would have survived
without me.” [0:08:04] Later, Waymond tells her, “When I
choose to see the good side of things, I'm not being
naive… It is strategic and necessary. It's how I've
learned to survive through everything” [1:45:43].
In the movie, generational trauma was caused by high
expectations and a lack of empathy between Gong Gong,
Evelyn, and Joy.
In a flashback, Gong Gong says to young Evelyn, “If you
abandon this family for that silly boy, then we will
abandon you. You are not my daughter anymore” [0:14:24].
This moment shapes the rest of their relationship.
Decades later, Evelyn still tries to please Gong Gong
despite his constant statements of disapproval like “Hmph. Another
laundromat” [0:12:41] or “Little girl. Always running away.
Never finishing what you started” [0:25:56]. Since this is
the only example of parenting she knows, Evelyn treats Waymond
and Joy with the same emotional distance.
Evelyn eventually breaks the cycle of generational trauma by choosing
to treat everyone with love, empathy, and acceptance.
She tells Gong Gong, “I am no longer willing to do to my
daughter what you did to me… It's okay if you can't be
proud of me. Because I finally am. You may see in her all
of your greatest fears squeezed into one person… But now I
see. It's okay that she's a mess” [1:59:43].
Daniel Kwan
explains, “If progress is to happen, the older generation has to be
willing to listen… And the young generation will have to be
kind and patient.”
PLAY WITH THE GRAPH!
This timeline shows when each character spoke throughout the film. Click on the themes above the graph to filter. Hover over the bars to see more details.